Culture | What’s the deal?

True tales of secrecy, opacity and outright thievery in art

Two outsiders tried to crack the art business. They did not like what they found

A surreal, scenic view of a paintbrush whose bristles are satin curtains that are hiding, and also subtly revealing, a gallery
Illustration: Twisha Patni
|Paris

IN 1989 LARRY GAGOSIAN, who has since become the world’s most powerful art dealer, was asked whether there was anything he would like to see change in the art market. “That is like asking Dante what he would change about the structure of Hell,” he replied, implying, a bit devilishly, that the way things were suited him.

This article appeared in the Culture section of the print edition under the headline “What’s the deal?”

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