Négritude is beautiful, too
Black authors are giving French writing new voices
“WRITING is witchcraft,” says Marie-Sophie, Patrick Chamoiseau's West Indian heroine in “Texaco”, an epic saga of life in the slums of Fort-de-France in Martinique that won the Goncourt, the coveted French literary prize. The assertion has resonance. In pre-colonial times, the West Africans from whom Mr Chamoiseau is descended held words in awe, and admired and feared their griots, who were both minstrels and witch-doctors.
This article appeared in the Culture section of the print edition under the headline “Négritude is beautiful, too”
Discover more
Pep Guardiola, football’s greatest coach, is in a bind
A serial winner is learning how to lose
The Economist’s word of the year for 2024
The Greeks knew how to talk about politics and power
What do feta, cucumbers and cottage cheese have in common?
Social media and the internet are changing how people cook and relate to food
Germany’s former chancellor sets out to restore her reputation
But her new memoir is unlikely to change her critics’ minds
The best books of 2024, as chosen by The Economist
Readers will never think the same way again about games, horses and spies
What to read to understand Elon Musk
The world’s richest man was shaped by science fiction