Culture | Anyone speak Nynorsk?

The Nobel prize in literature is prestigious, lucrative and bonkers

Lifting the veil on how literature’s most coveted award is judged reveals its arbitrariness

An illustration of a hand throwing a dart which has an open book as its flights.
Image: Mikel Jaso

The announcement of the winner of the Nobel prize in literature usually prompts one of three reactions. The first is “Who?”; the second is “Why?”; the third—by far the rarest—is “Hurrah!” This year, reactions were firmly in the first two camps. On October 5th Jon Fosse, a Norwegian, was awarded the world’s most prestigious writing prize. Many literary buffs had never heard of him. Mr Fosse writes mainly in Nynorsk, a form of Norwegian which is, even among the country’s writers, a minority pursuit. His best-known (but still little-known) work is a trilogy called “Septology”, which touts itself as a “radically other reading experience”.

This article appeared in the Culture section of the print edition under the headline “Prestigious, lucrative and bonkers”

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