Japanese Manga are being eclipsed by Korean webtoons
The industry’s business model has hardly changed since the 1960s
Lee hyun-seok grew up in South Korea addicted to Japanese manga series such as “Dragon Ball” and “Slam Dunk”. As soon as he could, he emigrated to Tokyo to build a successful career as a manga artist and editor. Then in the early 2000s came “webtoons”, a South Korean cartoon innovation optimised for smartphones. Mr Lee was at first unimpressed. Compared with manga’s inventive graphic styles and sophisticated plots, he found webtoons crude and superficial. “I thought: ‘Anybody can make this’.”
This article appeared in the Asia section of the print edition under the headline “Manga v webtoons”
Asia December 10th 2022
- Narendra Modi’s tough medicine
- Dead convicts and a peculiar murder in the Philippines
- Japanese Manga are being eclipsed by Korean webtoons
- Indonesia’s ban on extramarital sex represents a turn for the worse
- Which version of Anwar Ibrahim will govern Malaysia?
- China’s ban on gambling is a cash gift to the rest of Asia
Discover more
Is India’s education system the root of its problems?
A recent comparison with China suggests that may be so
Meet the outspoken maverick who could lead India
Nitin Gadkari, India’s highways minister, talks to The Economist
The Adani scandal takes the shine off Modi’s electoral success
The tycoon’s indictment clouds the prime minister’s prospects
Priyanka Gandhi: dynastic scion, and hope of India’s opposition
Poised to enter parliament, she may have bigger ambitions than that
The Caspian Sea is shrinking rapidly
This has big implications for Russia, which has come to rely on Central Asian ports
Racial tensions boil over in New Zealand
A controversial bill regarding Maori people punctures its relative harmony