Culture | Richard Wagner’s “Ring”

Playing with fire

|

“I KNOW now that I and my work have no place in these times of ours,” moaned Richard Wagner after the first performances of his “Der Ring des Nibelungen” (The Ring of the Nibelung) at the Bayreuth festival in 1876. In his view the staging had been a shambles, the conductor, Hans Richter, had not got a single tempo right and big chunks of the marathon work needed re-writing. To cap it all the festival ended with a whopping deficit. Wagner, then aged 63, told his wife Cosima he wished he were dead. He lived on for seven years but the “Ring” was not given again at Bayreuth for another 20.

This article appeared in the Culture section of the print edition under the headline “Playing with fire”

The electric revolution

From the August 5th 2000 edition

Discover stories from this section and more in the list of contents

Explore the edition

Discover more

Angela Merkel in Frankfurt, Germany in December 1991

Germany’s former chancellor sets out to restore her reputation

But her new memoir is unlikely to change her critics’ minds

Blue books forming a winner rosette on a red background

The best books of 2024, as chosen by The Economist

Readers will never think the same way again about games, horses and spies


Elon Musk speaks at the Milken Institute's Global Conference at the Beverly Hilton Hotel.

What to read to understand Elon Musk

The world’s richest man was shaped by science fiction


Tech and religion are very much alike

They both have gods, rich institutions and secretive cultures

Woodrow Wilson’s reputation continues to decline

A dispassionate new biography chronicles the former president’s hostility to suffrage

The cult of Jordan Peterson

What the Canadian intellectual gets right about young men