“The Picture of Dorian Gray” points to the future of theatre
A triumphant one-woman show relies on Sarah Snook, daring tech and your imagination
At least since 1998, when a critic described Nicole Kidman’s turn in “The Blue Room” as “pure theatrical Viagra”, the appearance of screen stars on the London stage has stirred complex feelings. Casting A-listers—including, recently, Sarah Jessica Parker, Matthew Broderick and Woody Harrelson—is a reliable way to shift tickets. To some, though, it is a cynical shortcut to success; a victory of marketing over art.
Explore more
This article appeared in the Culture section of the print edition under the headline “A picture comes to life”
Culture March 2nd 2024
- Britain’s arts still dazzle the world
- “The Picture of Dorian Gray” points to the future of theatre
- Why did a once-revered painter, Frans Hals, fall out of favour?
- “Palestine”, an old graphic novel, is making a comeback
- Can a dozen shipwrecks tell the history of the world?
- Cinemas may be dying. But IMAX and the high end are thriving
From the March 2nd 2024 edition
Discover stories from this section and more in the list of contents
Explore the editionDiscover more
Angela Merkel sets out to restore her reputation
But her new memoir is unlikely to change her critics’ minds
The best books of 2024, as chosen by The Economist
Readers will never think the same way again about games, horses and spies
What to read to understand Elon Musk
The world’s richest man was shaped by science fiction
Tech and religion are very much alike
They both have gods, rich institutions and secretive cultures
Woodrow Wilson’s reputation continues to decline
A dispassionate new biography chronicles the former president’s hostility to suffrage
The cult of Jordan Peterson
What the Canadian intellectual gets right about young men