Culture | Common denominators

Paying attention to numbers can open up meaning in books

Sarah Hart, a professor of geometry, looks at works including “Moby Dick” and “War and Peace”

Illustration by Sir John Tenniel, watercolour by Gertrude Thomson The Nursery Alice (Alice in Wonderland), by Lewis Carroll London, MacMilllan, 1889. Mad Hatter's tea party. (Photo by: Photo12/Universal Images Group via Getty Images)
Image: Getty Images

THE MEMBERS of Oulipo—an abbreviation of ouvroir de littérature potentielle, or “workshop of potential literature”—gathered in a café in Paris in November 1960. The avant-garde group sought new ways to tell stories; they revelled in constraint. In 1947 Raymond Queneau, the collective’s co-founder, had imagined a single short story in 99 different ways in his “Exercises in Style”. In 1969 Georges Perec wrote a novel that omitted the letter “e”. Three years later he produced a novella in which “e” was the only vowel used.

This article appeared in the Culture section of the print edition under the headline “Common denominators”

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