“Nosferatu” and the birth of the undead
On screen, killing monsters has always been a job for women
ONE HUNDRED years ago, in March 1922, the first major film adaptation of Bram Stoker’s “Dracula” had its premiere in Berlin. Not that it was called “Dracula”. The film-makers hadn’t asked for permission to adapt the famous vampire novel of 1897, so they changed the characters’ names. Jonathan Harker, the estate agent who ventures to Transylvania, was renamed Thomas Hutter (and played by Gustav von Wangenheim). Harker’s fiancée, Mina, became Hutter’s wife Ellen (Greta Schröder). Count Dracula is Count Orlok (Max Schreck). And the film, directed by F.W. Murnau, luxuriated in the shiver-inducing title “Nosferatu: A Symphony of Horror”.
This article appeared in the Culture section of the print edition under the headline “Out for the count”
More from Culture
Now it’s all about TikTok. But Huawei led the way
The Chinese telecoms firm was the first to raise America’s hackles
Want to spend time with a different American president?
Five presidential biographies to distract you from the news
Los Angeles has lost some of its trailblazing architecture
How will it rebuild?
What firms are for
The framework for thinking about business and capitalism is hopelessly outdated, argues a new book
Greg Gutfeld, America’s most popular late-night host, rules the airwaves
The left gave him his perch
Astrology is booming, thanks to technology and younger enthusiasts
Gen Z is full of stargazing users