Culture | Home Entertainment

“Nosferatu” and the birth of the undead

On screen, killing monsters has always been a job for women

ONE HUNDRED years ago, in March 1922, the first major film adaptation of Bram Stoker’s “Dracula” had its premiere in Berlin. Not that it was called “Dracula”. The film-makers hadn’t asked for permission to adapt the famous vampire novel of 1897, so they changed the characters’ names. Jonathan Harker, the estate agent who ventures to Transylvania, was renamed Thomas Hutter (and played by Gustav von Wangenheim). Harker’s fiancée, Mina, became Hutter’s wife Ellen (Greta Schröder). Count Dracula is Count Orlok (Max Schreck). And the film, directed by F.W. Murnau, luxuriated in the shiver-inducing title “Nosferatu: A Symphony of Horror”.

This article appeared in the Culture section of the print edition under the headline “Out for the count”

Where will he stop?

From the February 26th 2022 edition

Discover stories from this section and more in the list of contents

Explore the edition

Discover more

Angela Merkel in Frankfurt, Germany in December 1991

Germany’s former chancellor sets out to restore her reputation

But her new memoir is unlikely to change her critics’ minds

Blue books forming a winner rosette on a red background

The best books of 2024, as chosen by The Economist

Readers will never think the same way again about games, horses and spies


Elon Musk speaks at the Milken Institute's Global Conference at the Beverly Hilton Hotel.

What to read to understand Elon Musk

The world’s richest man was shaped by science fiction


Tech and religion are very much alike

They both have gods, rich institutions and secretive cultures

Woodrow Wilson’s reputation continues to decline

A dispassionate new biography chronicles the former president’s hostility to suffrage

The cult of Jordan Peterson

What the Canadian intellectual gets right about young men