Culture | Fault lines

On the borders of art in Israel

An exhibition on walls and frontiers has reached a fitting audience

|TEL AVIV

IN THE BEGINNING it seems to be an ordinary nature documentary. Two gazelles, a male and a female, seek each other out in the mating season. But as the background comes into focus, it becomes clear that this a political scene, too. The viewer sees the shiny white apartment blocks of a Jewish suburb of Jerusalem, built across the “green line” in the occupied West Bank. The two gazelles are close, yet they are kept apart by the security barrier, which on one side Israelis refer to as “the separation fence”, and the Palestinians on the other call “the wall”.

This article appeared in the Culture section of the print edition under the headline “Fault lines”

How to contain Iran

From the June 29th 2019 edition

Discover stories from this section and more in the list of contents

Explore the edition

Discover more

Manchester City manager Pep Guardiola looks pensive with fans blurred in the background.

Pep Guardiola, football’s greatest coach, is in a bind 

A serial winner is learning how to lose 

Someone reading a book upside down

The Economist’s word of the year for 2024

The Greeks knew how to talk about politics and power


This illustration shows a cracked egg, with its yolk and egg white spilled onto a flat surface. Two halves of the brown eggshell are placed on either side of the spill, and the yolk forms a triangle-like shape.

What do feta, cucumbers and cottage cheese have in common?

Social media and the internet are changing how people cook and relate to food


Germany’s former chancellor sets out to restore her reputation

But her new memoir is unlikely to change her critics’ minds

The best books of 2024, as chosen by The Economist

Readers will never think the same way again about games, horses and spies

What to read to understand Elon Musk

The world’s richest man was shaped by science fiction